![]() ![]() 11 Available Audio Effects: Fade-in, Fade-out, Compressor, Louder, Quiter, Silence, Normalize, Bleep it, Faster, Slower, Time-stretch. You can cut, copy, and paste sound segments of audio. Then perform your Pro Tools actions on the 5.1 tracks, bounce and burn, and go for espresso. Sodaphonic is an online audio editor that lets you edit audio files online. It should be a simple matter to do a digital transfer from DA-88 into Pro Tools with everything, including picture locked to Smpte referenced to house sync. If your source tracks are coming from DA-88 and you don't have picture to check sync, then you can only be as accurate as the source is, But, I insist on having final cut picture to check sync anyway. I'm working withing Pro Tools, of course, so I double check file lengths before I bounce and burn. I just make sure the files I give them start on EXACTLY the starting frame of the picture, and I include smpte numbers to crosscheck the timelines. Also note that the Dynamic Audio Normalizer program uses libsndfile for input/output, so a wide range of file formats (WAV, W64, FLAC, Ogg/Vorbis, AIFF, AU. I refer you to page 127 of the A.Pack pdf manual Concerning sync, they have the ability to adjust sync if it needs nudging. Audio Normalizer allows users to set the volume level and normalize the audios to the same volume level. However, the two professional houses I deal with, both accept Aiff, SoundDesigner II, Quicktime, or WAVE files and encode to AC-3 format. In regards to the Chinese point about time stamped AC3s, it would be helpful to have some DVD authors weigh in here. The individual tracks' normalization are referenced to the highest peak on all the tracks. The normalization pull down from the audio suite menu has the pop up option of pk on channel/tracks EACH, or pk on channel/tracks ALL. To clarify, the six tracks have to reside in a Pro Tools session, on a 5.1 Track. Well now, let me respond first to the question of normalization. Normalize volume of AIFF and MP3 file automatically Trim AIFF files Add ID3. Any Ideas? Or should I just bounce to 6 seperate files and encode in A Pack and send back the encoders? Any help would be greatly appreciated. If the sound of your AIFF files is so lower or higher, you can use the. I would rather not set up a windows box for this. If I was on a pc, I could use the dolby recording software along with the encoder/ decoder. I cant encode the file, because obviously it is already encoded. The guy from dolby said that I should be able to just put an AC3 file extension at the end of the file. So, my question is, I feel very comfortable with the hardware encoder, So, I want to take my stereo digital file and use it in an authoring program. I could also take my 6 stems and encode it with A Pack (DVD Studio Pro) but I am not sure that it gets timestamped and I want to make sure that it does for proper sync with video that is being compressed in a different room. When I send this out to the encoder everything is great. I am recording the AES signal to a track in Pro Tools. I am sending the to a 569 Dolby hardware encoder and previewing the downmixes through a 562. I am encoding 5.1 mixes for the DVD Authorer. Here goes, this might seem confusing but. ![]()
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